2005 – Crazy for You

Crazy For You is the story of a well-to-do1930s playboy, whose dream in life is to escape banking and dance. Sent to Nevada to foreclose on the mortgage of the failing Theatre, our hero falls for a local girl and sets out to impress her. The temptation to perform a musical full of such fabulous Gershwin music including “I Got Rhythm”, “Someone to Watch Over Me”, “Embraceable You” and “Nice Work If You Can Get It” made “Crazy for you” too irresistible for PMOS.  Filled with Dancing Cowboys, Mistaken identities and Mayhem from start to finish, Crazy for You seemed a tap step in the right direction …..”Who could ask for anything more?”

Crazy for You image gallery

Production Team

  • Director:  Alasdair Hawthorn
  • Musical Director: Andrew Salmond
  • Choreographer:  Margaret Carr


Act 1

Backstage at the Zangler Theatre in New York in the 1930s, the last performance of the Zangler Follies is wrapping up for the season and Tess, the Dance Director, is dodging the advances of the married Mr. Zangler.

Bobby Child, the rich son of a banking family, is backstage hoping for an audition with Mr. Zangler. Bobby performs “Krazy for You,” but fails to impress Zangler after landing on Zangler’s toe during the final flourish of his dance routine. Dejected, Bobby heads outside.  Bobby is met by Irene, the wealthy woman to whom he has been engaged to for five years, and then by his mother who demands that Bobby carry out her piece of banking business for her. Bobby is told to go to Deadrock, Nevada, to foreclose on a rundown theatre. As the women argue over him, Bobby imagines himself dancing with the Follies Girls and joins them in a rousing rendition of “I Can’t Be Bothered Now.” Brought back to reality, Bobby decides to escape to Nevada.

When Bobby arrives in Deadrock, it is clear that the coal-mining town has seen better days. The men, who are cowboys, sing “Bidin’ My Time” in a long, slow drawl. Everett Baker receives a letter from New York warning of the bank foreclosing on the Gaiety Theatre. The only woman left in this forlorn town is Everett’s daughter, the spunky Polly Baker, who vows to get even with Bobby Child if she ever meets him.  Lank Hawkins, proprietor of the town’s Saloon, argues with Everett, trying to convince Everett to let him buy the theatre before the bank takes it. The stubborn old man refuses to give up the theatre on the memory of Polly’s mother being the star of all the theatre’s old shows.

Bobby enters the town almost dying of thirst, and falls in love with Polly at first sight, not realizing who she is, and expresses his excitement in “Things Are Looking Up”. Lank is not pleased to see a rival for Polly’s affections.  Bobby finds himself in quite a bind. If he forecloses on the theatre he will lose the girl of his dreams. Inspired, he comes up with the idea of putting on a show to pay off the mortgage. Polly agrees to this plan until she finds out who he is—that banker from New York!

Bobby and Polly are both heartbroken, but Bobby decides to put on the show anyway… but disguised as Mr. Zangler. (The big time director from before.) Polly, deeply hurt, expressed her loneliness in “Someone to Watch Over Me.”

A few days later, ten Follies Girls on vacation from The Zangler Follies appear like a mirage in the desert. Bobby has asked them to help stage a spectacular show in Deadrock. When the men of Deadrock see the girls, the sleepy town becomes very lively. Lank Hawkins continues to express extreme dislike for the show, threatening to shoot Bobby.

Rehearsals for the show are not going well and the Cowboys in particular are terrible dancers. Bobby changes all that in the course of one rehearsal with the song “Slap That Bass”. Spirits are now at a high point. Meanwhile, to Bobby’s dismay, Irene arrives, threatening to expose Bobby’s charade, and Polly has fallen in love with Bobby’s impersonation of Zangler. She expresses her love for Zangler with the song “Embraceable You.”

Opening night arrives, with everyone in high hopes (“Tonight’s the Night!”). Sadly, everyone is disappointed to find that the only people to arrive are Eugene and Patricia Fodor, British tourists writing a guidebook on the American West. What starts out as a disappointment changes into the realization that the show has galvanized the once-sleepy town, making it lively and spirited. They celebrate with a spirited rendition of “I Got Rhythm” while the real Zangler stumbles un-noticed into the town, almost dehydrated and collapses.

Act 2

In Lank’s saloon Bobby is professing his love to Polly. Unfortunately, she is still in love with the man who she thinks is Zangler. Bobby is about to convince Polly that he has been impersonating “Zangler” when the real Zangler stumbles into the saloon looking for Tess.

Zangler finds Tess, but refuses her request to produce the show.

Tess storms off, Zangler, now drunk after being disgusted by the town, bemoans his fate. Bobby, dressed like Zangler, reels in to drown his sorrow over losing Polly. Drunk and depressed, the two men act as mirror images of each other, and lament their lost loves in “What Causes That.”

The next morning, Polly sees the two Zanglers and realizes what has happened. She slaps Bobby and leaves in a huff, while the townsfolk prepare for a meeting at the theatre to discuss what to do with the show. Irene comes to Bobby in one final attempt to make him go back to New York with her, but Bobby rejects her, and states his love for Polly. Immensely frustrated with Bobby, Irene seduces Lank in “Naughty Baby”.

The townsfolk are all now gathered at the theatre. Bobby is all for trying the show again, while Polly thinks they should abandon the venture. The Fodors counsel the dejected townspeople to keep a “Stiff Upper Lip,” which includes a parody of the barricade scene from Les Misérables but by the end of the song, only Polly, Everett, Bobby, and Tess still think the show should continue.

Everyone but Bobby and Polly leave the theatre; Bobby prepares to leave for New York, professing that his memories of Polly will never fade in “They Can’t Take That Away from Me.

Polly realizes, too late, that she does love Bobby, and after he leaves, laments her loss in “But Not For Me.”

Meanwhile, Bela Zangler decides to put on the show as a favour to Tess; the two seem to be in love once more. Although he had been planning to cast Bobby as the lead, he makes Polly the star of the show after learning that Bobby has left for New York.  Six weeks later, Bobby is still thinking of Deadrock as he works for his mother’s bank. For his birthday, Mrs. Child gives him the Zangler theater (Zangler has used all his money on the show in Deadrock). While initially ecstatic, Bobby realizes that his love for Polly is worth more in “Nice Work if You Can Get It,” and leaves for Deadrock with Mrs. Child to pursue her.

Meanwhile, Polly has decided to leave for New York to look for Bobby, who enters Deadrock just after she leaves. After learning that Polly has left to find him, he leaves the stage to “wash up” before driving back to New York to catch her. Bobby’s mother and Irene (who is now married to Lank) notice each other, and start an argument. Everett notices Mrs. Child, and falls head-over-heels in love with her, as shown in a reprise of “Things Are Looking Up.”

His affections are reciprocated, and immediately afterwards, Polly reenters with Custus, one of the cowboys. Custus is trying to give Polly a ride to the station, but his car has run out of gas, and she has missed the train to New York.

Together the townspeople concoct a plan, and Polly and Bobby are finally reunited in the “Finale.”


Principal Characters

  • Bobby Child – MARTYN AGNEW
  • Polly Baker – LORNA MCATASNEY
  • Bella Zangler – NORMAN MACMILLAN
  • Lank Hawkins – JOHN RENFREW
  • Lottie Child – JOYCE MCMENEMY
  • Irene Roth – KIRSTY ROSS
  • Eugene Fodor – IAIN CONDIE
  • Patricia Fodor – NICOLA STEWARDSON
  • Everett Baker – JIM REID
  • Mingo – RAY O’SULLIVAN
  • Mitzi – GILLIAN DUNN

Follies Girls

  • Susan Deans
  • Laura Forbes
  • Ashleigh Fry
  • Nicola Fry
  • Linzie McDonald
  • Leigh Quinn
  • Kelly Anne Reilly
  • Pamela Ross
  • Kirsteen Young

Theatre Girls

  • Patricia Irwin
  • Donna Law
  • Catherine Mackay


  • Allan Gillies
  • Frank McMahon
  • John O’Brien
  • Jonathon Parsons
  • Jason Paterson
  • John Sands


NODA Review: PMOS are no slouches when it comes to choosing a show – particularly if it is hot off the press! And with their present line up of principals this show just had to be good!  Martyn Agnew was outstanding as Bobby child – in my opinion the best performance I have seen from him to date.  He was fortunate in having the experienced and talented Lorna McAtasney opposite as Polly and the pair really fitted those important roles.  Norman MacMillan is becoming a magician where comedy is concerned and let his talent rip as Bela Zangler.  The scene with Bobby in Act II will live in the memory for a long time.  Joyce McMenamy was well suited to the part of Lottie, Bobby’s mother, as was Kirsty Ross to the role of the debutante Irene.  John Renfrew played Lank Hawkins, the oafish saloon owner, convincingly.  The Fodor’s Guide “tourists” were played amusingly by Iain condie and Nicola Stewardson, who sent up those parts just sufficiently to produce the laughs.  The nine Follies Girls deserve special mention not only for their attractiveness, but also for the fine costumes and their “typical blonde” accents.  Great work in Nina Thorpe’s wardrobe department.  This show was of exceptional standard and a great credit to PMOS and all who brought it to the stage of the King’s.Ian Gray NODA Scotland News 2005